The bedazzling piece of existential, personal cinema, that Alfonso Cuaron serves in “Roma”, marks one of the most unique films of the year.
Sideways (2017) (Yol Kenari in original title) could have been a masterpiece. Instead, it’s a chore to sit through. The Turkish director Taifun Pirselimoglu tells a story of a small village, crammed between a sinister forest and sea. Soon the … Continue reading Sideways (2017) Review – Turkish Poem About Political Instability