This franchise should have never been brought back from the dead, just like the dinosaurs appearing in the film.
Continue reading “Notes On – Jurassic World: Fallen Kingdom”
Even though John Travolta has put on a decent performance as the titular kingpin, the film fails miserably on other fronts.
Continue reading “Notes On – Gotti (2018)”
An inventive horror-inspired science fiction, which somehow lacks depth to become a cult movie.
Continue reading “Notes On: A Quiet Place (2018)”
“Deadpool 2” follows the path set by its predecessor for the most part, but deploys enough humor and action to keep the franchise alive and well.
Continue reading “Notes On: Deadpool 2”
If you don’t expect too much from a horror movie, the Canadian “Scarecrows” is exactly your thing.
Continue reading “Notes On: Scarecrows (2017)”
Gehenna is what the audience goes through while watching this pile of crap.
Continue reading “Notes On: Gehenna Where Death Lives (2016)”
“The Heretics” mixes plenty of ideas in one pot, but the final outcome is a film with a solid, engaging plot and neat visual effects.
Continue reading “Notes On: The Heretics (2017)”
“Terrifier” is a kitschy, corny and sometimes badly acted film, which surprisingly delivers a wicked amount of nasty fun.
Continue reading “Notes On: Terrifier (2018)”
Kelly Reilly and Luke Evans introduce a palette of acting tools, but “10×10” is nonetheless directed without flair.
Continue reading “Notes On: 10×10”
Sam Worthington “stars” in a lifeless science fiction drama, which doesn’t really work on any level (maybe apart from a gorgeous house of the protagonist).
Continue reading “Notes On: The Titan (2018)”
A visual show-off that falls flat like a hockey puck.
Continue reading “Notes On: Maria Callas (2017)”