Gustav Möller’s “The Guilty” is a devastating drama, where the scarcity of tools used to tell the story excavates its true worth.
Continue reading “A Confession Over The Phone – The Guilty (2018)”
Although “Blaze” is essentially a biopic, it blossoms into a charming, nicely executed love story with a deeper meaning and a picture of the American wintry blues.
Continue reading “Blaze (2018) Captures The Undeniable Charm Of Country As A Way Of Living”
In this very sparse drama by Raul Arevalo, the inevitability of whats coming next is what truly resonates in the film.
Continue reading “Pay For My Grief – The Fury Of A Patient Man (2016)”
“Girl”, a debut feature by Lukas Dhont, is a tremendously executed drama about self-acceptance.
Continue reading “A Short Story Of Self-Acceptance – Girl (2018)”
The Korean “Burning” is a slow-paced, hypnotising tale about the vanity of life, blended in a mix of psychological drama and crime thriller.
Continue reading “The Way You Look At Fire – Burning (2018)”
Spike Lee’s anti-racism manifesto is an emotionally packed drama, enriched by sharp dialogues and prominent acting. It’s as exhilarating and uncanny as sad and hope-devastating.
Continue reading “Racism Begets Racism – BlacKkKlansman (2018)”
Ciro Guerra’s impeccable visual artistry is the strongest feature of “Birds Of Passage”, but the rest quickly consumes its entire fuel reserves.
Continue reading “The Seed Of The Fratricidal War – Birds Of Passage (2018)”
The director of “The Gift” and a prolific actor turns to a topic, which can bring him his first Oscar nomination.
Continue reading “Is Joel Edgerton’s New Film Called “Boy Erased” An Oscar Bait?”
A thought-provoking horror, Steven Soderbergh’s trash-fest and John Travolta’s miserable attempt at reviving his career. Welcome to the weekly update by Cultural Hater.
Continue reading “Hate It Or Love It #2 – Hereditary, Unsane & More”
Steven Spielberg’s “The Post” is on par with the most renown dramas about journalism.
Continue reading “War On The Freedom Of Speech – The Post (2018)”