“Sylvio” is a bit depressing yet undeniably charming independent movie – a candy for the fans of DIY sets and when-life-gives-you-lemon stories.Continue reading “Sylvio (2017) Proves You Can Make A Decent Movie Out Of Vine Series”
The bedazzling piece of existential, personal cinema, that Alfonso Cuaron serves in “Roma”, marks one of the most unique films of the year.
“Malevolent” is another Netflix flick that could have been something exciting, but quickly turned into an exercise of repeating the genre’s tropes.
A cinematic crusade against the corporate machines, an ode to the labor unions, a shoutout to all the oppressed and plenty more – “Sorry To Bother You” glows bright with that many colors.
Joaquin Phoenix transcends his own acting skills in “Don’t Worry, He Won’t Get Far On Foot” – a messy, quasi-documentary and quasi-artsy tribute to a famous American cartoonist John Callahan.
Gustav Möller’s “The Guilty” is a devastating drama, where the scarcity of tools used to tell the story excavates its true worth.
Although “Blaze” is essentially a biopic, it blossoms into a charming, nicely executed love story with a deeper meaning and a picture of the American wintry blues.
Luca Guadagnino’s wet dream of becoming a “grand auteur” hit into a brick wall of “Suspiria” – suspense-lacking, glaringly ill-inspired and simply boring remake of Dario Argento’s masterpiece.