“Malevolent” is another Netflix flick that could have been something exciting, but quickly turned into an exercise of repeating the genre’s tropes.
Continue reading “Malevolent (2018) – A Decent Half That Goes Down The Drain”
A cinematic crusade against the corporate machines, an ode to the labor unions, a shoutout to all the oppressed and plenty more – “Sorry To Bother You” glows bright with that many colors.
Continue reading “Sorry To Bother You (2018)… With This Bizarre Burst Of Creative Filmmaking”
Joaquin Phoenix transcends his own acting skills in “Don’t Worry, He Won’t Get Far On Foot” – a messy, quasi-documentary and quasi-artsy tribute to a famous American cartoonist John Callahan.
Continue reading “Don’t Worry, He Won’t Get Far On Foot (2018) Is A Decent But Flawed Effort”
Gustav Möller’s “The Guilty” is a devastating drama, where the scarcity of tools used to tell the story excavates its true worth.
Continue reading “A Confession Over The Phone – The Guilty (2018)”
Although “Blaze” is essentially a biopic, it blossoms into a charming, nicely executed love story with a deeper meaning and a picture of the American wintry blues.
Continue reading “Blaze (2018) Captures The Undeniable Charm Of Country As A Way Of Living”
Luca Guadagnino’s wet dream of becoming a “grand auteur” hit into a brick wall of “Suspiria” – suspense-lacking, glaringly ill-inspired and simply boring remake of Dario Argento’s masterpiece.
Continue reading “Suspiria (2018) Is Luca Guadagnino’s Opus Minimus”
It takes an incredible amount of anti talent to create a film so bland, so deeply unattractive and frantic as “Dollhouse: The Eradication of Female Subjectivity from American Popular Culture”.
Continue reading “Dollhouse (2018) Joins The Noble List Of The Worst Of The Year”
Not many filmmakers are capable of dividing the audiences as much as the Grand French Provocateur – Gaspar Noe.
Continue reading “Climax (2018) – Sex, Drugs, Rock & Noe”
“Ederlezi Rising” is a Serbian science fiction film, where in-your-face sex scenes and story’s crudeness blend with audiovisual experience inspired by “2001: A Space Odyssey”.
Continue reading “An Android Love Story – Ederlezi Rising (2018)”
The director of “Dread” and “Last Shift” has made a little effort to turn his newest film “Extremity” into a worthwhile watch.
Continue reading “Extremity (2018) Needed Less Skeleton Masks And More Plot”
Fasten your seatbelts, because Gareth Evans has produced a deeply disturbing mixture of horror genres.
Continue reading “Apostle (2018) Unravels A Wicked Cult”
“High Life” is an audacious take on science fiction, mixing drama and horror in a unique, a tiny bit perverted way.
Continue reading “Is High Life (2018) The Most Divisive Film Of The Year?”