It takes an incredible amount of anti talent to create a film so bland, so deeply unattractive and frantic as “Dollhouse: The Eradication of Female Subjectivity from American Popular Culture”.
Continue reading “Dollhouse (2018) Joins The Noble List Of The Worst Of The Year”
Not many filmmakers are capable of dividing the audiences as much as the Grand French Provocateur – Gaspar Noe.
Continue reading “Climax (2018) – Sex, Drugs, Rock & Noe”
Casey Killoran, who recently starred and produced an indie drama “Viral Beauty”, chatted with me about the phenomenon of social media, the creative process behind her film and… how Lana Del Rey helped her in shaping her role.
Continue reading “Casey Killoran & Cultural Hater Talk About “Viral Beauty””
“Ederlezi Rising” is a Serbian science fiction film, where in-your-face sex scenes and story’s crudeness blend with audiovisual experience inspired by “2001: A Space Odyssey”.
Continue reading “An Android Love Story – Ederlezi Rising (2018)”
The director of “Dread” and “Last Shift” has made a little effort to turn his newest film “Extremity” into a worthwhile watch.
Continue reading “Extremity (2018) Needed Less Skeleton Masks And More Plot”
Fasten your seatbelts, because Gareth Evans has produced a deeply disturbing mixture of horror genres.
Continue reading “Apostle (2018) Unravels A Wicked Cult”
“High Life” is an audacious take on science fiction, mixing drama and horror in a unique, a tiny bit perverted way.
Continue reading “Is High Life (2018) The Most Divisive Film Of The Year?”
Many film buffs like to crawl in their bed sheets and watch horrors in the countdown to Halloween. If you are looking for suggestions, here is your horror guide.
Continue reading “Halloween is coming – 20 Horror Movies To Give You Shivers”
Wojciech Smarzowski’s film is a much needed voice in a the discussion concerning the Catholic Church. But is it powerful enough to shake the grounds causing visible changes?
Continue reading “Clergy (2018) Is The Most Important Polish Movie In Decades”
As far as horror comedy goes, “The Mansion” is one that’s lampooning every genre cliche possible. However, while doing so, it implements such a heavy kind of humor that the screening quickly turns into a bore.
Continue reading “A Regrettable Knee-Slapper – The Mansion (2017)”
Jeremy Saulnier’s “Hold the Dark” incorporates all the grittiest concept cinema knows, but unlike his two previous films, it’s the least impactful and engaging one.
Continue reading “A Haunting In Alaska – Hold the Dark (2018)”
Joaquín Cociña and Cristóbal León, the authors of a Chilean animated indie darling “La Casa Lobo”, shed some light on the process of making a stop-motion.
Continue reading “Joaquín Cociña & Cristóbal León Discuss “La Casa Lobo””