Gustav Möller’s “The Guilty” is a devastating drama, where the scarcity of tools used to tell the story excavates its true worth.
Continue reading “A Confession Over The Phone – The Guilty (2018)”
Although “Blaze” is essentially a biopic, it blossoms into a charming, nicely executed love story with a deeper meaning and a picture of the American wintry blues.
Continue reading “Blaze (2018) Captures The Undeniable Charm Of Country As A Way Of Living”
Luca Guadagnino’s wet dream of becoming a “grand auteur” hit into a brick wall of “Suspiria” – suspense-lacking, glaringly ill-inspired and simply boring remake of Dario Argento’s masterpiece.
Continue reading “Suspiria (2018) Is Luca Guadagnino’s Opus Minimus”
The Italian drama, which premiered this year at the Cannes Film Festival, is a lovely flirt with the much praised Russian novelist.
Continue reading “How Matteo Garrone’s Dogman (2018) Flirts With Fyodor Dostoyevsky’s Prose”
It takes an incredible amount of anti talent to create a film so bland, so deeply unattractive and frantic as “Dollhouse: The Eradication of Female Subjectivity from American Popular Culture”.
Continue reading “Dollhouse (2018) Joins The Noble List Of The Worst Of The Year”
Not many filmmakers are capable of dividing the audiences as much as the Grand French Provocateur – Gaspar Noe.
Continue reading “Climax (2018) – Sex, Drugs, Rock & Noe”
Casey Killoran, who recently starred and produced an indie drama “Viral Beauty”, chatted with me about the phenomenon of social media, the creative process behind her film and… how Lana Del Rey helped her in shaping her role.
Continue reading “Casey Killoran & Cultural Hater Talk About “Viral Beauty””
“Ederlezi Rising” is a Serbian science fiction film, where in-your-face sex scenes and story’s crudeness blend with audiovisual experience inspired by “2001: A Space Odyssey”.
Continue reading “An Android Love Story – Ederlezi Rising (2018)”
The director of “Dread” and “Last Shift” has made a little effort to turn his newest film “Extremity” into a worthwhile watch.
Continue reading “Extremity (2018) Needed Less Skeleton Masks And More Plot”
Fasten your seatbelts, because Gareth Evans has produced a deeply disturbing mixture of horror genres.
Continue reading “Apostle (2018) Unravels A Wicked Cult”
“High Life” is an audacious take on science fiction, mixing drama and horror in a unique, a tiny bit perverted way.
Continue reading “Is High Life (2018) The Most Divisive Film Of The Year?”
Many film buffs like to crawl in their bed sheets and watch horrors in the countdown to Halloween. If you are looking for suggestions, here is your horror guide.
Continue reading “Halloween is coming – 20 Horror Movies To Give You Shivers”