“Malevolent” is another Netflix flick that could have been something exciting, but quickly turned into an exercise of repeating the genre’s tropes.
Landing somewhere between a tribute to “Clerks” and a daring, socially-engaged drama, “Blindspotting” is another peak of the American independent cinema in 2018.
Take a look at the best among indie films of 2018 that definitely deserve your attention.
As a fan of the first season of “True Detective” and its soundtrack, I decided to find & recommend some great blues, folk and country songs. Way to kill your cravings related to the third season!
A cinematic crusade against the corporate machines, an ode to the labor unions, a shoutout to all the oppressed and plenty more – “Sorry To Bother You” glows bright with that many colors.
Joaquin Phoenix transcends his own acting skills in “Don’t Worry, He Won’t Get Far On Foot” – a messy, quasi-documentary and quasi-artsy tribute to a famous American cartoonist John Callahan.
Thom Yorke’s “Suspirium” has been stuck in my head for a long time now, but it doesn’t mean it’s a good pick for a horror soundtrack. Here’s my short take on Luca Guadagnino’s ominous score.
Fans of horror genre cinema had plenty to cheer for this year. In this article I list my personal take on best horror movies of 2018.
The Swiss black metal/blues/country band Zeal & Ardor has visited a small venue in Warsaw to give one of the most electrifying performances I’ve seen in a long time.
Gustav Möller’s “The Guilty” is a devastating drama, where the scarcity of tools used to tell the story excavates its true worth.
Although “Blaze” is essentially a biopic, it blossoms into a charming, nicely executed love story with a deeper meaning and a picture of the American wintry blues.
Luca Guadagnino’s wet dream of becoming a “grand auteur” hit into a brick wall of “Suspiria” – suspense-lacking, glaringly ill-inspired and simply boring remake of Dario Argento’s masterpiece.